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To put itĪnother way, when black males’ racial identity is called into question, as it Performances that are not explicitly or verifiably heteronormative. That, I argue, is always raised by black male gender performance, particularly These examples highlight the guesswork and homoerotic innuendo He writes later in the book that he is heterosexual. You sure you’re not a faggot?” ) I had speculated about his orientation Insists he disclose his sexuality (“Michael, are you a homosexual?” “Michael, AndĮven before encountering the passage where Awkward writes that his sister “overcoming anxieties about his masculinity his sexuality” (893). Literary critic Kenneth Warren, for instance, says, “there is notĮnough of Awkward,” in his Scenes of Instruction (1999), Similar questions regarding sexuality have been raised aboutīlack male autobiographers who ruminate on perceptions of their gender Satisfaction I cannot achieve through imitation? Not previously entertained: Can I obtain through copulation the gender Still, even with Baldwin’s convincingĪnecdote, I am aware that the issues raised in the epigraphs by both Question of sexual preference: You were being told simply that you had no balls” The operative word was faggot and, later, pussy, but those epithets really had nothing to do with the Identity labels, he says, “The condition that is now called gay [circa 1985) I was, however,īorrowing from a particular perspective on masculine performance that does drawĪ distinction between gender and sexuality, a distinction perhaps bestĪrticulated by writer James Baldwin. Patrick Johnson (2001, 2003) have worked to deconstruct. Theoretical purposes a binary that scholars of queer studies and performance Intent was to discuss gender performance and not sex/sexuality, risking for Masculinity I wish to embody yet fail to fully enact. Nigga (2007), as speaking a “spicy black lingo” and performing the black
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I admit to admiring black men in the barbershops Iįrequent, describing them in the prelude of my first book, Your Average Rodriguez is an interesting example for him in more ways than one. Not simply-as we find out later-just a symbol of lost Mexican culture… Īdmiration for those brown male bodies sweating under hard labor in the sun was Sexual conflict, which become apparent in later works. Young is conversant with the ideas that Richard RodriguezĮspouses in HUNGER OF MEMORY, and disagrees with many of them, yet fails toĬonnect Rodriguez' arguments about language to Rodriguez' gender and But he never explicitly claims a gay identity, Seems invested in rendering a story that highlights how he is constantly perceivedĪs a “faggot” due to his failed performance of proper (black) masculinity and Young appears coy here about the status of his sexuality. University of Kentucky, Lexington, KY USA of English, Rhetoric and African American Studies, Sexing the Colorlines: Black Sexualities, Popular Culture,Ĭompulsory Homosexuality and Black Masculine Performanceĭept.